Tag Archives: NZ indie film

Immi the Vegan and Harrow

Our Immi the Vegan PledgeMe crowdfunding campaign went live 10 days ago. Our aim is to raise $6000 during November, which will be enough to shoot another 5 episodes, giving us a first season of six episodes. See the pilot here!

We need all the support we can get, so please make a pledge! If you’re within New Zealand there are heaps of very awesome rewards from a bunch of very generous sponsors. For those overseas, there are still some options to receive some Immi the Vegan love. Check out the PledgeMe page.

In other news…

HARROW was released on Watch Me on October 31st. It’s a slightly comical found-footage horror mini-series, set in New Zealand. I had the pleasure of co-writing this. (And by “pleasure” I mean a lot of late nights, and a lot of rewrites…) Watch it here!

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This Giant Papier Mache Boulder is Actually Really Heavy (movie review)

Every time I go to write down the movie’s name I end up missing at least one word. In fact, when I asked for a ticket at the cinema, I got half way through the name and then both the teller and I went “and blah blah yadda yadda” to finish it off. It’s certainly a mouthful, but it’s also quite clever. Because before you even watch the film the name instantly gives you a sense of what you’re going to see. I figured it would be funny, self-referential, and very cheaply made. I imagined an amateur indie film, in which the props are made by the director’s flatmate’s girlfriend, and the soundtrack is recorded on an early-90s Casio keyboard with built-in drum beats.

This was pretty close to the truth, though the music was marginally better than that. It’s made in New Zealand – maybe a classic Kiwi film of the future.

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The story begins with the three main blokes – Tom, Gavin and Jeffrey – watching an old B-grade sci-fi film ‘Space Warriors in Space’. Part way through, they are mysteriously sucked into the movie, and come under attack from the evil Lord Froth. With the help of some friends they meet along the way, not to mention the scantily dressed warrior women (obligatory for any sci-fi adventure film), they must find their way back to Earth, and back to reality.

This film is done on a budget – seriously. But they’ve cleverly gotten away with it by setting the story inside a very low-budget film. It reminded me of the early seasons of Red Dwarf, when they used a computer joystick to steer the ship, and pretty much everything else was built from cardboard boxes glued together and painted grey. In TGPMBIARH the lids of pump bottles are buttons on the ship’s console; an electric egg beater is a cargo ship flying through space; lampshades (or possibly suspended baking bowls?) serve as those visor things you wear when you want to aim your ship’s cannons at another ship (you know what I mean…). And no animals were harmed in the film, because they were mostly soft toys (quite cute ones, too). But the cheapness is essential for the plot, it’s part of the point. The characters, for the most part, realise they are stuck inside a budget film, and are generally stumped by the fact that a recognisable kitchen utensil actually fires a laser out its end. Which is why it’s also surprising that the “giant papier mache boulder is actually really (fucking) heavy”.

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I had quite a few laughs. They got the theatrical nature of an old sci-fi film right. When someone is punched in the face they don’t just drop to the ground, they fly through the air. If someone rolls down a bank then they bloody well fall off a waterfall too. That’s just common sense. However, if I’m going to pick a hole (and I will), it’s that I felt the film could do with a brutal edit. Some scenes went on too long, and some were superfluous altogether. I know that when you’ve worked closely on something for a long time you get precious, but really it could have done with a good snip snip snip.

TGPMBIARH is running for another week at the Rialto in Newmarket, and also the Dunedin Rialto and the cinema in Devonport. Go out and support a NZ independent film.

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