Our Immi the Vegan PledgeMe crowdfunding campaign went live 10 days ago. Our aim is to raise $6000 during November, which will be enough to shoot another 5 episodes, giving us a first season of six episodes. See the pilot here!
We need all the support we can get, so please make a pledge! If you’re within New Zealand there are heaps of very awesome rewards from a bunch of very generous sponsors. For those overseas, there are still some options to receive some Immi the Vegan love. Check out the PledgeMe page.
In other news…
HARROW was released on Watch Me on October 31st. It’s a slightly comical found-footage horror mini-series, set in New Zealand. I had the pleasure of co-writing this. (And by “pleasure” I mean a lot of late nights, and a lot of rewrites…) Watch it here!
Last time I blogged, I’d just spent 10 days in LA researching my novel. Since that time I’ve been incredibly busy. But instead of hunkering down during the cold winter months and working assiduously on the novel itself, I busied myself with entirely different projects… it’s weird how procrastination works.
Here are the things I’ve been up to:
James Summerfield, a UK-based muso and Americana-meister, asked me to sing on one of his tracks. I agreed of course, and was pleasantly surprised when he actually sent me four tracks to sing on. It was my first experience of making music with someone I’d never actually met. Here’s a little sample of the songs on the album. You can pre-order it here. The female vocalist – yup, that’s me.
My brother is the actor of the family. He starred in New Zealand’s longest-running soap opera Shortland Street for about four years, as well as starring in Spartacus and various other shows and films. Acting is something I’d never considered doing myself…
But then, suddenly, I felt like trying it. And with the help of Pigville Productions I created the pilot episode of a weird little comedy called ‘Immi the Vegan’. More Immi the Vegan to come soon!
Most of my writing time has been spent co-writing a found-footage horror web series, along with writer Guy Pigden. It’s been a very different experience for me, writing with someone else, and also writing to commission – with very clear outlines given by the producers. The most important thing I’ve learned so far is to not write too much before showing it to the production company – because in all likelihood you’ll have to scrap the whole damn and start again. The shoot for this show is in October, and I’ll post about it then!
But in other writing news, three of my poems were published in the latest edition of takahe magazine, and can be read here. The first poem, in particular, is very special to me.